MY NAME IS BECCA, AND SINCE I CAN REMEMBER I HAVE BEEN FASCINATED BY BODY MODIFICATION AS SUBVERSION. THE FIRST TATTOO I EVER WANTED WAS A TRIBAL OUROBOUROS AROUND MY BELLYBUTTON WHEN I WAS SEVEN. IT WAS THE HEIGHT OF SPICE FEVER AND MEL C HAVING THAT BARBWIRE ARMBAND WAS LIKE, THE COOLEST THING I'D EVER SEEN. WHY I HAVEN'T GOTTEN THAT TATTOO YET REMAINS A TOTAL MYSTERY...

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BORN IN LONDON AND BROUGHT UP IN COSTA RICA, I COME FROM A LONG LINEAGE OF ARTISTS AND ARCHITECTS. I'VE FOUND MY OWN VOICE IN CONTRIBUTING TO THAT LINEAGE, USING MY FAMILY'S ART AS A HUGE SOURCE OF INSPIRATION IN MY OWN GEOMETRIC WORK.

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I'M INSPIRED LARGELY BY TEXTILES, GRAPHIC DESIGN, ARCHITECTURE, WORLD CRAFTS, BOTANICAL ILLUSTRATIONS, VINTAGE BOOKS, REPETITION IN NATURE, AND MY PEERS.

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I CONSIDER MYSELF PREDOMINANTLY A BLACKWORKER. I AM CURRENTLY MOST INTERESTED IN WORKING ON TATTOOS WITH ORNAMENTAL AND GEOMETRIC COMPONENTS AND VEERING AWAY FROM PROJECTS THAT DON'T INCORPORATE THESE ELEMENTS. 

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I AM CURRENTLY NOT TATTOOING HUMAN OR HUMAN ADJACENT IMAGERY, DOTWORK DESIGNS, MANDALAS, FINGERS, HENNA REFERENCES FOUND ON PINTEREST, ETC...

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